A copper alloy figure of SHIVA BHIKSHATANA
South India, Tanjore, Nayak Dynasty, 17th century.
The present sculpture depicting Shiva’s manifestation as Bhikshatana, “the enchanting mendicant,” embodies the inspired modeling, sinuous elegance and spontaneous charm of late south Indian bronze casti...
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Fragment of a temple sculpture, showing the two figures of the first and the last Jain Tīrthaṁkara, Ṛṣabhanātha (left) and Mahāvīra. As is consistent with Jain iconography, the upright and naked figures have broad sjoulders and narrow waists. The ascetic nature of Ṛṣabhanātha is suggested by his ...
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Umapati (Shiva, the Primeval Father God, and Uma, the Great Mother Goddess)
India, Uttar Pradesh, Deogarh region, circa 750-800
Sculpture
Gray sandstone
Ganesha is worshipped by most Jainas, for whom he appears to have taken over certain functions of Kubera. Jaina connections with the trading community support the idea that Jainism took up the worship of Ganesha as a result of commercial connections.
Hindus spread through Maritime Southeast Asia and took their culture with them, including Ganesha, statues of whom are found throughout the region, often beside Shiva sanctuaries. The forms of Ganesha found in Hindu art of Java, Bali, and Borneo show specific regional ...
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Vishnu Chaturmurti
Karkota period - 8th to 9th century AD
Kashmir
Sculptural representations of Vishnu Chaturmurti exist throughout northern India but is most characteristic of the Kashmir region where it assumed a prominent position in the Hindu pantheon.
Vishnu in his four-fold aspect, Chatur...
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A sandstone figural relief of Surya
Central India, 10th/11th Century
The solar deity standing in a frontal hieratic pose with both hands raised and holding a stylized blossoms, a small figure of his consort standing between his boots and accompanied by his two sons Shani and Yama standing on the...
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