Painting by Manohar (active ca. 1582–1624)
early 17th century
Mughal
During Akbar’s reign, numerous Christian subjects were copied by Indian artists working from the illustrated Bibles, prints, and paintings that were brought to the Mughal court by Jesui...
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‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusion of traditiona...
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A woman with flowers possibly celebrating the Vasant Panchimi festival
Lucknow
ca.1815 - ca. 1820
Watercolour
Inscription:
'Ponchumee'
‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East Indi...
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‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusio...
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Inscription:
'A Mussulmanee Worshipping. Sijdee Meekoonud'
‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the...
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The Beach at Cape Comorin - 1860
by Robert Bruce Foote
Pen-and-ink and wash drawing of the beach at Cape Comorin (Kanniyakumari) by Robert Bruce Foote (1835-1912) in 1860. Inscribed on the front in ink is: 'R.B. Foote delt. 18.9.1860'; on the back: 'View of Cape Comorin, the Kumla Kumari Pagoda,...
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View of the hill fort, Trichinopoly - 1805
By William Orme
Watercolour
William Orme, who was active from about 1795 to 1819, was born in Manchester and was almost certainly the younger brother of Daniel Orme (also born in Manchester), and older brother of Edward Orme. An early watercolour by hi...
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'View of part of St. Thorne Street, Fort St. George' - 1805
By William Orme
Watercolour
William Orme, who was active from about 1795 to 1819, was born in Manchester and was almost certainly the younger brother of Daniel Orme (also born in Manchester), and older brother of Edward Orme. An early ...
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"Dervish With a Lion", Folio from the Shah Jahan Album
Painting by Padarath
Calligrapher: Sultan 'Ali al-Mashhadi (active late 15th–early 16th century)
Persian Inscription (in lower border, in Shah Jahan’s hand): "Work of Padarath".
During the reigns of Jahangir and Shah Jahan, devotees were fa...
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"Jahangir and His Vizier, I'timad al-Daula", Folio from the Shah Jahan Album
Artist: Manohar (active ca. 1582–1624)
Calligrapher: Mir 'Ali Haravi (d. ca. 1550)
While Jahangir (r. 1605–27) and l'timad al-Daula (a title meaning "reliance of the state") greet each other formally in this painting, t...
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Deposition from cross with rejoicing angels, opaque watercolour and gold on paper, Mughal, ca. 1590-1600.
This painting was probably done for the Mughal emperor Jahangir (r.1605–1627) when he was still a prince living in the 1590s at Lahore, the northern capital of the Mughal empire, now in nort...
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Indian black buck, by Manohar, in opaque watercolour and gold on paper, Mughal, ca. 1616.
The study of an Indian black buck being led by its keeper was painted by the Mughal court artist Manohar, who signed his work on the green ground at top and bottom of the painting. The posture of the keeper...
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A Zebra, by Mansur, opaque watercolour and gold on paper, Mughal, 1621.
The zebra in this painting was presented to the Mughal emperor Jahangir (r. 1605-1627) by Mir Ja'far who had acquired it from some Turks who had travelled to India from Africa. Jahangir wrote on the painting (in Persian, the...
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Turkey cock, by Mansur, opaque watercolour and gold on paper, Mughal, ca. 1612
The painting of a North American turkey cock done for the Mughal emperor Jahangir (r. 1605-1627) records its arrival at the court in 1612. Jahangir had asked his friend Muqarrab Khan to procure rarities of any kind at...
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A Himalayan Cheer Pheasant
Opaque watercolour and gold on paper
Mughal, ascribed to Mansur
c. 1620
Mansur is famous for his studies of birds, animals and flowers. He began his illustrious career during Akbar’s reign and continued to work in the royal library for Jahangir. He and other artist...
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London began in ancient times as a small settlement next to a crossing point of the Thames, and until the mid-19th century the river was still the main route through which all the trading wealth flowed into the City. The docks were literally the gateway to t...
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Temple at Shivganga in the Salt Range of the Punjab, now in Pakistan - 1860
Pencil drawing of a temple at Shivganga in the Salt Range of the Punjab, now in Pakistan, by Sir Henry Yule, dated March 1860. The image is inscribed on the front in pencil: 'Ancient Buddhist portion of a Temple at Sheog...
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